“Now how would you translate an iconic design into a script that defies neutrality? Is this even possible? To make things more complicated, Arabic calligraphic styles are many and some are more suited for headlines, others for text. Helvetica functions on both platforms so the Arabic needs to do so as well.”
- Nadine Chahine on design problems of Neue Helvetica Arabic (thanks for the link Jeremy Mumenthaler)
“Nadine Chahine is an award winning Lebanese type designer with a special interest in Arabic typography. She studied Graphic Design at the American University of Beirut and Typeface Design at the University of Reading, UK. During her study at Reading, she focused on the relationship of the Arabic and Latin scripts and the possibilities of creating a harmonious relationship between the two. She taught Arabic type design as a visiting lecturer at the American University in Dubai and then joined Linotype, Germany, where she is now in charge of Sales Marketing and Arabic-related projects. As of September 2007 she is also a PhD candidate and her topic is legibility studies for the Arabic script.”
( Definitive Me ) My first self-portrait
